How Midnight Cowboy became the only X-rated winner of the best-picture Oscar

Alamy Dustin Hoffman and Jon Voight in a graveyard in a scene from Midnight Cowboy (Credit: Getty Images)Alamy

When Midnight Cowboy got here out 56 years in the past this week, it immediately upended Hollywood’s concept of a mainstream hit. A bleak story of loneliness, sexuality and survival in New York, it was powered by career-defining performances from its lead actors.

“I did have issues with it as I now see the film,” actor Dustin Hoffman confessed to the BBC in 1970 as he mirrored on his efficiency because the sickly New York grifter Enrico “Ratso” Rizzo in Midnight Cowboy. “I can see the place I’m inconsistent within the character.”

The movie, launched in cinemas on 25 Might 1969, would go on to earn Oscar nominations for each Hoffman and his co-star Jon Voight, who performed a naive younger Texan with aspirations to be a wealthy girl’s gigolo.

WATCH: ‘I needed to attempt to maintain a posture, a gait going, a method of strolling, a dialect going’.

Based mostly on James Leo Herlihy’s 1965 novel, Midnight Cowboy’s bleak story of loneliness, sexuality and survival in New York was very totally different from the movie during which Hoffman had his breakthrough function, The Graduate. Having performed a clean-cut middle-class younger man, contemporary out of faculty, Hoffman didn’t strike its director John Schlesinger as the apparent option to play the story’s down-at-heel streetwise conman. 

“Jerry Hellman [the film’s producer] had seen him in a play by Henry Livings, Eh?, off Broadway and mentioned, ‘He is a beautiful character actor, do not simply go by The Graduate, you had higher go and meet him,'” Schlesinger advised the BBC’s On Screen in 1994. “So, I went to New York, and Dustin met me in a grimy previous raincoat and we wandered across the forty second Avenue space and the Hell’s Kitchen space, which is form of a largely Italian space, and he blended in so completely with the background that by the tip of the night, there was completely no query that he had acquired the half.”

However to play the ailing Rizzo, who suffers from a disabled leg and tuberculosis, Hoffman felt that he wanted to maintain checking the movie’s rushes whereas filming to make sure his efficiency was constant between takes. “I needed to attempt to maintain a posture, a gait going, a method of strolling, a dialect going. I used to be very frightened concerning the fluctuation of that,” he advised the BBC’s Movie Evening in 1970, when he was interviewed on the set of his revisionist Western, Little Large Man. The actor later advised Vanity Fair in 2000 that he ended up placing a stone in his shoe to make sure that he would limp on digicam with out having to consider it.

Alamy In Midnight Cowboy, Jon Voight plays an out-of-his-depth would-be hustler, broke and desperate in New York, who forms an unlikely bond with Dustin Hoffman's Rizzo (Credit: Alamy)Alamy

In Midnight Cowboy, Jon Voight performs an out-of-his-depth would-be hustler, broke and determined in New York, who kinds an unlikely bond with Dustin Hoffman’s Rizzo (Credit score: Alamy)

“I feel the typical particular person will see work like that and assume it is vitally tough,” mentioned Hoffman. “However my very own feeling is that Jon Voight’s half was far the tougher function in Midnight Cowboy as a result of it was in some way a bit extra foggy, it did not appear to actually have a razor’s edge to it as written, and it is to his credit score that he introduced what he did to it.”

Voight, too, was removed from a shoo-in for the function of an out-of-his-depth would-be hustler who finally ends up broke and determined in New York, and kinds an unlikely bond with Rizzo. The actor had initially been dismissed by Schlesinger, who felt that he did not have the fitting search for the function. “We turned down Voight, and a beautiful casting director in New York in these days, Marion Dougherty, mentioned, ‘You might be lacking one thing, why will not you see Jon Voight?’ We mentioned, ‘That face it is not what we had been considering,’ and she or he mentioned, ‘Meet him, learn him one scene,’ so we agreed and he got here in and he appeared to us to be fairly extraordinary, and so we added him to the record of individuals we had been going to check.”

WATCH: ‘OnceI I really feel I do know that the director is aware of his job, I am extra sympathetic to him’.

The battle for the proper solid and music

However the director nonetheless selected Canadian actor Michael Sarrazin for the function as an alternative. Fortunately for Voight, Sarrazin was underneath contract with Common Photos, and once they tripled their worth for him, Schlesinger appeared on the display screen assessments once more. Voight, who was keen to be paid scale – the Display Actors Guild minimal wage – was then solid. “He had a sort of belligerence in his persona in addition to a complete sweetness and innocence that I feel the half wanted,” Schlesinger mentioned. 

Midnight Cowboy didn’t appear an apparent contender for box-office success. Schlesinger’s traditional producer Joe Janni turned the undertaking down, warning the director that the movie might destroy his profession. However Schlesinger, who was himself homosexual, advised the BBC in 1994 that the story of outsiders struggling to outlive on society’s margins was one thing he might determine with. “I am not terribly eager about form of pseudo-happy endings of individuals strolling hand-in-hand into the sundown as a result of I do not assume it’s true. So, a lot of the movies that I made have query marks on the finish,” he mentioned.

Midnight Cowboy, which juxtaposes flashbacks, actuality and fantasy to trace on the motivations driving its protagonists, was edited to Harry Nilsson’s cowl model of Everybody’s Talkin’. The track would grow to be synonymous with the movie, seeming to encapsulate its wounded characters’ longing, aimlessness and want for a greater future.

“I all the time put music on at a really early stage within the minimize,” mentioned Schlesinger. “I assumed not solely is it musically and rhythmically proper, it is lyrically proper, it has a beautiful apt lyric, so we put it on an early minimize, and we went to the top of music at United Artists and mentioned, ‘That is what we would like.'”

However a United Artists govt didn’t wish to use a track that was already printed and, believing that its really feel could possibly be simply replicated, he instructed the film-makers to work with a songwriter to give you one thing new. “We went to varied individuals from [Bob] Dylan to Joni Mitchell, who wrote a track that had far too many phrases,” Schlesinger mentioned. Dylan would finally write Lay Woman Lay for the movie, however submitted it too late for it for use.

“After we first confirmed the movie to the distributors,” Schlesinger continued, “we had All people’s Talkin’ on it, and the identical man acquired up from the screening and mentioned, ‘My God, the place did you get that track from? It is so terrific.’ And we mentioned, ‘Effectively, we performed it to you many months in the past, and also you mentioned anyone can reproduce it.’ So, he mentioned, ‘Effectively, we have got to have it.'”

An adults-only viewers

As a result of Midnight Cowboy had express depictions of gang rape, prostitution and drug use, it was all the time destined to be restricted to an grownup viewers upon launch. And when it was reviewed by the Movement Image Affiliation of America, it was duly given a Restricted score, which means that in 1969 nobody underneath the age of 16 might see it with out an accompanying grownup.

However the studio’s boss, Arthur Krim, was nervous: he had consulted a psychiatrist who denounced the movie’s “gay body of reference” and its “doable affect on kids”. It was Krim who then decreed that the Restricted score wasn’t sufficient: Midnight Cowboy ought to be X-rated as an alternative, in order that nobody underneath 16 could be admitted, even when they had been with an grownup. 

An X score, a class usually related to pornography, would normally be the industrial demise knell for a mainstream movie. Many cinemas refused to indicate X-rated movies, whereas many newspapers and TV stations refused to run commercials for them. However Common Studios made the score a promoting level, paying for commercials that trumpeted: “Every thing you hear about Midnight Cowboy is true!”

When it was launched, the movie grew to become a shock hit. It made again 10 occasions its modest $4m (£3m) finances and have become the third highest grossing movie of 1969. “It had a rare reception,” mentioned Schlesinger. “I did not realise we had been sitting on high of one thing that was going to be that profitable.”

Midnight Cowboy was additionally critically lauded, incomes seven Oscar nominations the next 12 months. It might go on to win three Academy Awards, with Schlesinger taking dwelling the prize for greatest director, and Waldo Salt for greatest tailored screenplay. The movie additionally scooped the Oscar for greatest image, changing into the primary and solely X-rated movie to take action. (The MPAA changed the X score with the NC-17 score in 1990.) Alongside different movies of the period comparable to Bonnie and Clyde, The Graduate and Easy Rider, Midnight Cowboy helped set off the New Hollywood motion, which might see US cinema embrace extra narratively advanced, morally ambiguous and stylistically progressive film-making within the Nineteen Seventies. In 1994, it was chosen for preservation by the Library of Congress resulting from its being “culturally, traditionally or aesthetically vital”.

Regardless of Midnight Cowboy’s box-office success and important acclaim, Schlesinger advised the BBC that there was “no method” it will get made in 1994. “Just lately I used to be having dinner, amongst the visitors was the top of Columbia [Pictures] and I attempted out only a summary, simply the dramatic factors of the story. And I mentioned, ‘If I introduced you that, would you do it?’ And he mentioned, ‘Completely no method, I might present you the door.'”

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